Blog / Tag / "artist"

Welcoming Teresa Vander Meer-Chasse to Jenni House!

Welcoming Teresa Vander Meer-Chasse to Jenni House!

Teresa Vander Meer-Chasse (b. 1992) is a proud Nalt’si member of the White River First Nation of Beaver Creek, Yukon and Alaska. Her beadwork is inspired by the strong women and the support of the caring men in her life. Teresa defines herself as an Upper Tanana visual artist, incorporating her culture in all the work she creates. 

During her residency, Teresa will be working on a new project, "Scavenging for the Many Faces of Raven"; in partnership with artist Nicole Bauberger, Teresa will be collecting tire remnants from the side of the Alaska Highway in order to create Ravens and raven-inspired sculptural works. They also intend to visit communities and collect stories people are willing to share of Raven. 

You can keep up to date with her projects by visiting these pages:

Scavenging for Raven

Teresa Vander Meer-Chasse

Teresa will be the artist-in-residence at Jenni House for the month of April, 2018.

Artist talk with Simon James Gilpin

Artist talk with Simon James Gilpin

Have you seen Simon James Gilpin's stunning exhibit, "Wilderness, City" yet? Come by the Main Gallery on February 8th from 7:30-8:30 for an artist talk and learn more about these densely textured oil paintings.

This talk is free for all ages. See you there!

Meet the artist: Helen O’Connor

Meet the artist: Helen O’Connor

Helen O’Connor is a Yukon visual artist who makes paper by hand using oriental and local fibres to create sculpture, assemblages and installation. Her works express a reverence to nature and are influenced by the unique atmosphere of the north. She took the time to talk to us specifically about this distinctive practice, as well as future papermaking projects.

O’Connor’s exhibition ‘Salutation’ is currently showing in the Yukon Art Centre Public Art Gallery until May 10th.

What is unique about your process?

Art is a means of expression. The medium is the vehicle used to express. This is why my chosen medium of hand papermaking is so important to me. It is an age old process that connects me physically to the past and to the earth. After much repetition a physical process such as papermaking becomes a means of spiritual connection. Each step of the process contains significance that goes into the ultimate meaning of the piece. It is a slow meditative process that gives the mind space for creative thought and connection.

The sculptural installation work I have created for this show is made from handmade paper. The process of papermaking connects me physically to my work and creates a beautiful product which is far superior in aesthetics and quality than factory produced paper. I believe the closer the medium is to its primary source (the earth) the more radiating beauty and energy it emits.

The paper created for "Singing Stones" is made from oriental fibres called Gampi and Kozo and local willow. The oriental plants are small bush-like trees that regenerate each season after harvest (quite like our local willow bushes). The fibre is collected from the bast fibre (the inner bark) which is stripped from its branches. It must be soaked for 24 hours and then cooked for several hours with a mild caustic (soda ash). It is then rinsed and beaten with hardwood mallets on a large rock or wooden surface. This can be a social rhythmic event with many participants.

The resulting pulp is added to a vat of water. It retains long fibres which makes for a fine strong paper (see paper used as projection screen in "Release"). Yukon willow paper is very coarse and a reddish colour. See if you can find it among the "Singing Stone" rock sculptures.

The paper sheets formed on a screen are then "couched" onto a board to dry or onto the rocks to cast.

What are you working on now?

I am working on a multi disciplinary collaboration with filmmaker Marten Berkman (see film loop installation "Release" in YAC gallery), dancer Monique Romeiko, and musician Jordie Walker for upcoming show in October 2014. I will be creating more cast rock sculptures this time using recycled paper grocery bags (more utilitarian for dramatic stage use with dance) and a super large sheet of flax handmade paper for dancing on and under. Flax produces a rattly crisp paper which will add some interesting sound qualities to the performance. The group will be rehearsing in a weekend residency at the Old Firehall, Whitehorse, April 5 and 6th. The public is welcome to attend during development. Monique and I collaborated on an improvised dance performance for the opening of Yukon Arts Centre exhibition, Salutation, on March 6.

This summer 2014 I look forward to attending an artist residency at the Tyrone Guthrie Centre in Annaghmakerrig, County Monaghan, Ireland. My project there is to create a series of sculptural artist books that will include elements of handmade paper, collage, photo transfer or photo etching related to exploration of personal connection to Ireland and ancient culture. Based on visits to ancient stone/bog sites and interaction with contemporary community.

My studio is located in the Rosati Centre, 3 Glacier Road, Macrae Subdivision, Whitehorse. I have a Mark Lander Hollander beater called a "Critter", an oriental paper stamper, as well as some interesting antique fibre processing equipment. Call ahead for studio visit, 334-4292 to experience the magical process of papermaking.

Image shows artist hand beating willow bark for installation at the Riverside Arts Festival, 2009 in Dawson City. Photo credit: Chris Clarke.

Meet the artist: Jennifer Walden

Meet the artist: Jennifer Walden

Jennifer Walden is a visual artist based in Yellowknife, NWT, known for lush northern landscapes. Her paintings have been featured, notably, at the 2010 Winter Olympics in Vancouver, and purchased by collectors worldwide.  Currently, Walden and her children are living in Italy for six months, where she will study Renaissance painting techniques and Italian fresco.

Walden’s exhibition “The Land at the End of the Sticks” is currently showing in YAC’s gallery until February 22nd, 2014.

1) What is unique about your process?

Although my work is very heavily textured I actually use very little paint. I sketch my pieces out in pencil and then apply various layers of molding paste. This is like a thick stucco that I apply with a knife, and sculpt it until I am happy with the shapes. The entire piece is all white and very sculptural. Once this is dry, then I begin to apply the colour by applying multiple layers of very thin glaze.

2) How has your process changed over the years?

Texture has always been the element of design that interests me the most. I am constantly trying to find new ways to explore it and ways to push the boundaries with texture. Over the years my ability to control the textural elements has greatly increased, not only in how I use the texture to create the composition, but how I balance that composition on an almost three-dimensional plane. I have been able to increase the depth of relief, and control textural elements that protrude up to 4 inches from the canvas.

3) What has been the most memorable response to your work?

I have been fortunate to have many positive and moving responses to my work over the years. It is one of the most motivating things about being an artist, seeing people respond so strongly to what I do.

One particular memory that stands out happened a few years ago. During the opening reception for one of my solo shows a woman approached me in tears. She had seen a painting of mine a few years back and she was very taken with it, the piece really hit an emotional chord with her, but the painting had already been sold. She had come to this particular opening hoping to find a similar piece. There was a piece that again hit the same emotional chord. The painting spoke to her personal life experience so much that she felt it truly depicted her life journey. But this piece as well had just sold. In great disappointment she shared with me a little of her life story, and explained why it was the piece so strongly effected her. At the end of her story we were both in tears, and I agreed to complete a special commissioned piece for her. To date it is one of my favorite paintings. Being able to make that kind of emotional connection with a complete stranger is one of the miraculous things about being an artist.

4) What is the best/worst thing about being an artist?

The best thing about being an artist is really what I described in the answer to question 3. Being able to connect with complete strangers, regardless of age, gender, cultural background etc… I have found my art gives me an ability to cross all sorts of borders to connect with people.  Being my own boss also has great perks!

Living my passion daily is the best, unlike most people I know, I live for Monday mornings, anxious to get into studio, and cringe a little on Friday afternoons knowing I have to wait two full days until I get an uninterrupted block of time again in my studio.

Worst thing – The amount of people I meet that assume that because I am an artist I paint here and there for an hour or two when I feel inspired, and then seem confused when I say “I can’t make it to something because I need to work” and their response is “oh, where do you work?” There seems to be a general assumption that if you are an artist that you don’t really work that hard. Enjoying ones work doesn’t meant you don’t work diligently, for long hours every day like everyone else.

5) What is your dream project?

To travel the world with my art. What inspires me is the natural beauty of the planet in all it’s different forms and colours. Currently I live in the North and it is filled with beauty and inspiration, but there is so much more to this planet. I have the same passion for nature around the globe. I would like to opportunity to paint the great plains of Africa, the mountains in New Zealand,  the rain forest in Brazil…. The list could go on forever. The challenge is not only getting to these places, but finding a place to exhibit and share them with people. It is natural for us to want to look at images that are familiar, my dream is to find a way to visit the far corners of the globe, paint what I have observed and then come home and share them in a way that makes them relevant to everyone.

For more information regarding the artist and her work, please visit her website

Photograph of Jennifer Walden by D. Brosha.

Jay White, Chilkoot Trail Artist in Residence coming to OFH

Jay White, Chilkoot Trail Artist in Residence coming to OFH

This is going to be great!  Animator, Jay White, went over the Chilkoot Trail as part of the Chilkoot Trail Artist-in-Residence!  He just got back!!
Check out his Talk about his experience, and some AWESOME art, at the Old Fire Hall, 5pm, THURS, Aug 16.  Should be a great time!

Jay White likes to bring his imagination
to life through oil and watercolour paintings, animated
short films, and through interdisciplinary collaboration
with other artists.

His current animated short film, The Perfect Detonator,
premiered at the St. Louis International Film Festival, and
is now showing in festivals across the world.

THE CHILKOOT TRAIL ARTIST-in-RESIDENCE is a collaborative creation from Parks Canada, the US National Park Service, the Skagway Arts Council, and the Yukon Arts Centre!

Two countries,
two arts groups,
two park services,
two artists

---one big, long, exhausting, beautiful trail between them!