Blog / Archives / January 2014

Meet the artist: Jennifer Walden

Meet the artist: Jennifer Walden

Jennifer Walden is a visual artist based in Yellowknife, NWT, known for lush northern landscapes. Her paintings have been featured, notably, at the 2010 Winter Olympics in Vancouver, and purchased by collectors worldwide.  Currently, Walden and her children are living in Italy for six months, where she will study Renaissance painting techniques and Italian fresco.

Walden’s exhibition “The Land at the End of the Sticks” is currently showing in YAC’s gallery until February 22nd, 2014.

1) What is unique about your process?

Although my work is very heavily textured I actually use very little paint. I sketch my pieces out in pencil and then apply various layers of molding paste. This is like a thick stucco that I apply with a knife, and sculpt it until I am happy with the shapes. The entire piece is all white and very sculptural. Once this is dry, then I begin to apply the colour by applying multiple layers of very thin glaze.

2) How has your process changed over the years?

Texture has always been the element of design that interests me the most. I am constantly trying to find new ways to explore it and ways to push the boundaries with texture. Over the years my ability to control the textural elements has greatly increased, not only in how I use the texture to create the composition, but how I balance that composition on an almost three-dimensional plane. I have been able to increase the depth of relief, and control textural elements that protrude up to 4 inches from the canvas.

3) What has been the most memorable response to your work?

I have been fortunate to have many positive and moving responses to my work over the years. It is one of the most motivating things about being an artist, seeing people respond so strongly to what I do.

One particular memory that stands out happened a few years ago. During the opening reception for one of my solo shows a woman approached me in tears. She had seen a painting of mine a few years back and she was very taken with it, the piece really hit an emotional chord with her, but the painting had already been sold. She had come to this particular opening hoping to find a similar piece. There was a piece that again hit the same emotional chord. The painting spoke to her personal life experience so much that she felt it truly depicted her life journey. But this piece as well had just sold. In great disappointment she shared with me a little of her life story, and explained why it was the piece so strongly effected her. At the end of her story we were both in tears, and I agreed to complete a special commissioned piece for her. To date it is one of my favorite paintings. Being able to make that kind of emotional connection with a complete stranger is one of the miraculous things about being an artist.

4) What is the best/worst thing about being an artist?

The best thing about being an artist is really what I described in the answer to question 3. Being able to connect with complete strangers, regardless of age, gender, cultural background etc… I have found my art gives me an ability to cross all sorts of borders to connect with people.  Being my own boss also has great perks!

Living my passion daily is the best, unlike most people I know, I live for Monday mornings, anxious to get into studio, and cringe a little on Friday afternoons knowing I have to wait two full days until I get an uninterrupted block of time again in my studio.

Worst thing – The amount of people I meet that assume that because I am an artist I paint here and there for an hour or two when I feel inspired, and then seem confused when I say “I can’t make it to something because I need to work” and their response is “oh, where do you work?” There seems to be a general assumption that if you are an artist that you don’t really work that hard. Enjoying ones work doesn’t meant you don’t work diligently, for long hours every day like everyone else.

5) What is your dream project?

To travel the world with my art. What inspires me is the natural beauty of the planet in all it’s different forms and colours. Currently I live in the North and it is filled with beauty and inspiration, but there is so much more to this planet. I have the same passion for nature around the globe. I would like to opportunity to paint the great plains of Africa, the mountains in New Zealand,  the rain forest in Brazil…. The list could go on forever. The challenge is not only getting to these places, but finding a place to exhibit and share them with people. It is natural for us to want to look at images that are familiar, my dream is to find a way to visit the far corners of the globe, paint what I have observed and then come home and share them in a way that makes them relevant to everyone.

For more information regarding the artist and her work, please visit her website

Photograph of Jennifer Walden by D. Brosha.

This is Our Arctic, Yukon Electrical Youth Gallery

This is Our Arctic, Yukon Electrical Youth Gallery
Organized by BYTE, This is Our Arctic is a photographic exhibit showcasing the effects of climate change in the Arctic Circle as witnessed and captured by the youth of Inuvik and Old Crow. From January 10th until February, 1st.

In early October 2013, the BYTE team visited the arctic communities of Old Crow, Yukon and Inuvik, NWT to talk to local youth about climate change and teach them about photographic techniques. The youth (aged between 10 and 16 years old) then used cameras to capture evidence of the changing climate in their communities.

Climate change is taking place in the Arctic Circle at a rate twice as fast as the rest of the world. From dramatic displays of climate change such as permafrost melt and landslides to more subtle changes such as open water, dewdrops forming from melted frost, and warm rays of sun, these photographs capture life in Old Crow and Inuvik amidst recent environmental changes. Aside from climate change, these photographs are also windows into the lives of the local youth, who used BYTE’s workshop as an opportunity to experiment with photography and have fun with friends.

The youth photographers from Inuvik were Faith, Tristin, Kyla, Delaney, Michela, Jessica, Lesli, Katelynn, Madison and Alexa.

The youth photographers from Old Crow were Taryn, Dakota, Tyrone, Aaron, Percilla, Willow, Cheyanne and Shaylene.

BYTE is a ‘by youth, for youth’ charitable organization that focuses on empowering and promoting youth throughout the Yukon and Canada’s North. Their missions is to unite youth, strengthen their voice, take action and bring about positive change for the wellbeing of everyone. BYTE’s facilitation team travels to communities throughout the Yukon, Northern BC and NWT to deliver innovative and relevant programming to youth. They also host events and workshops in Whitehorse that foster creativity, culture and sport, focusing on developing confidence, skills, openness and a sense of belonging amongst the North’s youth.

This project was made possible due to funding from The Small Change Fund and Environment Yukon and the generous donations of Air North and Capital Suites (Inuvik). Thanks also to the Yukon Film Society for providing cameras. 

Personal Experience Play Writing Workshop with Anita Rochon

Personal Experience Play Writing Workshop with Anita Rochon

You're invited to a PIVOT Workshop with Anita Rochon on January 25th, 2014


Personal Experience Play Writing Workshop with Anita Rochon
Yukon Arts Centre Studio
12:30 - 4:30 PM Saturday, January 25
Attendance is Pay-What-You-Can
To Register Email:

This workshop focuses on approaches towards "being yourself" onstage and using verbatim sources. It will feature exercises where the participants learn ways to hone and stage personal experience and document-based material. From there, we'll open up the conversation to stylistic techniques and the creative use of constraints. The focus is on finding the core of a story or experience and opening up the myriad of ways that can be expressed. Anita will share some of The Chop's approach to material generation and presentation including ways to shape personal stories and stage them.

Anita Rochon is a Vancouver-based director who has been involved in the development of many new pieces of theatre and dance. She co-artistic directs The Chop Theatre in Vancouver with Emelia Symington Fedy. The Chop's works include KISMET one to one hundred and How to Disappear Completely which continues to tour internationally. She is a graduate of Studio 58 (Acting) and the National Theatre School of Canada (Directing). She was awarded the Ray Michal Prize for an outstanding body of work by a new director, the Siminovitch Protégé prize and a Mayor’s Arts Award.

The Chop is a Vancouver-based theatre company that's been building and touring contemporary stage pieces since  2005. Artistic Directors Emelia Symington Fedy and Anita Rochon are known for their innovative approach to works that explore an intimate, live and direct connection with the audience.

Spots are filling fast and space is limited.

For more information about the Pivot Theatre Festival and full schedlue, check out 

The Pivot Festival is made possible with the support of the following sponsors:
Air North, CKRW, Edgewater Hotel, Northwestel, What's Up Yukon and Yukon News.

Pivot would also like to acknowledge the invaluable support of the following funders:
Canada Council for the Arts, Canadian Heritage, Arts Operating Fund, Department of
Tourism & Culture, Mike Nixon Minister with Support from the Yukon Lottery Commission.